BPM Chart for Every Music Genre — Complete Reference Guide
This BPM chart for every music genre covers 40+ styles — a BPM range that defines its energy, feel, and danceability. This complete BPM chart for music genres covers 40+ styles across every major family: electronic, hip-hop, rock, pop, Latin, jazz, and classical. Whether you are a DJ planning set transitions, a producer checking your track fits genre conventions, or a music fan curious about why certain songs make you move differently, this reference gives you average BPM, typical range, and production notes for every genre in one place.
Why This BPM Chart for Every Music Genre Matters
Tempo is one of the most defining characteristics of any genre. It is not the only factor — rhythm pattern, instrumentation, and production style all contribute — but BPM is the first number DJs and producers look at when evaluating a track. A song at 170 BPM that sounds like drum and bass will feel completely different from a 170 BPM gabber track even though they share the same tempo. Conversely, a house track at 126 BPM and a tech house track at 128 BPM can blend seamlessly in a DJ set because their energy profiles are compatible.
Understanding genre BPM ranges is useful across every role in music:
- DJs use genre BPM knowledge to plan set flow, identify compatible tracks for mixing, and avoid jarring tempo jumps between styles. Once you have the BPM, the BPM to milliseconds calculator gives you the exact delay times for syncing effects to any tempo.
- Producers use it to ensure their track sits within the conventions of the genre they are targeting — which matters for playlist placement and DJ adoption.
- Music supervisors and playlist curators use BPM ranges to maintain consistent energy across a playlist or soundtrack.
- Runners and fitness enthusiasts can use genre BPM to choose whole playlist styles rather than checking individual songs. See the full breakdown in our guide to best BPM for running.
- Songwriters reference genre tempo as a creative starting point when writing in an unfamiliar style.
Electronic Music BPM Chart
Electronic music has the widest BPM spread of any genre family — from the slow haze of lo-fi at around 75 BPM to the relentless intensity of gabber at 200+ BPM. DJ-functional subgenres tend to have the tightest ranges because tempo consistency is critical when beat-matching live.
| Genre | Avg BPM | Typical Range | Notes |
|---|---|---|---|
| Deep House | 122 | 118–126 | Warm, soulful feel; slower groove than tech house |
| House Music | 126 | 120–130 | Standard four-on-the-floor dance tempo |
| Tech House | 128 | 124–132 | Tightest range of any house subgenre; peak-hour DJ standard |
| Melodic House | 123 | 118–127 | More atmospheric; slightly slower than tech house |
| Afro House | 124 | 118–128 | Percussive groove; overlaps with deep house |
| Progressive House | 128 | 124–132 | Build-driven structure; shares tempo with tech house |
| Trance | 138 | 128–145 | Driving energy; euphoric lead synths |
| Psytrance | 148 | 140–155 | Full-on at 148; dark psy pushes to 155 |
| Techno | 140 | 130–150 | Industrial feel; Berghain-style runs 138–145 |
| Industrial Techno | 145 | 138–155 | Harder, darker flavour of techno |
| Electro | 130 | 125–140 | Machine-funk roots; wide BPM spread |
| EDM / Big Room | 130 | 125–140 | Festival-oriented; dramatic builds and drops |
| Drum & Bass | 174 | 160–180 | Half-time snare creates slower feel despite fast tempo |
| Liquid DnB | 172 | 170–174 | Smoother, melodic flavour of DnB |
| Neurofunk | 176 | 174–180 | Complex, technical DnB subgenre |
| Jump-Up DnB | 178 | 174–182 | High-energy, crowd-focused DnB |
| Jungle | 160 | 155–170 | Proto-DnB; heavy Amen break focus |
| Breakbeat | 130 | 120–140 | Swung break patterns; off-kilter feel |
| Dubstep | 140 | 135–145 | Half-time at 70 BPM; bass-driven drops |
| Future Bass | 150 | 140–160 | Emotional chord work; pitched vocal chops |
| Trap (EDM) | 140 | 130–160 | Half-time at 70; hi-hat rolls define the sound |
| Ambient / Drone | 75 | 60–90 | Often no fixed tempo; slow atmospheric movement |
| Lo-Fi Hip-Hop | 85 | 75–95 | Relaxed, hazy feel; study and chill playlists |
| Gabber / Hardcore | 180 | 160–220 | Distorted kicks; extreme end of electronic music |
| Happy Hardcore | 175 | 160–190 | Euphoric melodies at very fast tempos |
Electronic Genre BPM — What to Know for DJs
The tightest genre BPM ranges in electronic music belong to tech house (124–132) and grime (136–142) — the most DJ-functional subgenres where even a 4 BPM difference is noticeable when beat-matching. The widest spread belongs to ambient and experimental electronic, where tempo is often irrelevant to the experience. When setting delay and reverb for electronic tracks, use the BPM to milliseconds chart to find the exact delay time for any tempo.
Hip-Hop and R&B BPM Chart
Hip-hop is a genre family where the felt tempo often differs significantly from the technical BPM. Trap at 140 BPM feels slow because the snare hits on beat three rather than two and four, creating a half-time groove. Always consider the perceived tempo alongside the technical figure when producing or mixing hip-hop subgenres.
| Genre | Avg BPM | Typical Range | Notes |
|---|---|---|---|
| Hip-Hop (classic) | 90 | 80–100 | The original boom-bap tempo range |
| Boom Bap | 92 | 85–98 | Tight snare on 2 and 4; sample-based production |
| Trap | 140 | 130–160 | Feels like 65–80 BPM due to half-time snare pattern |
| Drill (US) | 145 | 135–155 | Sliding 808s; menacing low-end character |
| UK Drill | 140 | 132–148 | Slightly slower than US drill; dark minor key arrangements |
| Lo-Fi Hip-Hop | 85 | 75–95 | Relaxed swing; vinyl crackle; jazz-influenced chords |
| Cloud Rap | 100 | 85–120 | Hazy, reverb-heavy production; wide tempo spread |
| Phonk | 130 | 120–140 | Memphis rap-influenced; drifting samples and distorted 808s |
| R&B / Neo-Soul | 90 | 70–110 | Groove-focused; wide range depending on energy |
| Soul | 100 | 80–120 | Classic Motown era sits 95–110 BPM |
| Grime | 140 | 136–142 | Almost always exactly 140 BPM; UK-originated genre |
Rock and Guitar Music BPM Chart
Rock has one of the widest tempo spreads of any genre family. A slow blues shuffle and a thrash metal track can both be described as guitar music yet sit 100 BPM apart. The chart covers rock and its major subgenres with typical tempo ranges for each:
| Genre | Avg BPM | Typical Range | Notes |
|---|---|---|---|
| Classic Rock | 120 | 100–140 | Wide range; energy varies significantly by era and artist |
| Indie Rock | 130 | 110–150 | Varied energy; slower for post-punk revival, faster for garage rock |
| Alternative Rock | 125 | 100–150 | Broad genre; tempo depends heavily on subgenre |
| Punk Rock | 160 | 140–180 | Fast, aggressive, short songs; tempo is part of the attitude |
| Pop Punk | 155 | 140–170 | Melodic hooks at high tempo |
| Hard Rock | 135 | 115–155 | Heavier production; wide tempo range across artists |
| Heavy Metal | 140 | 120–160 | Riff-driven; tempo varies hugely by subgenre |
| Thrash Metal | 180 | 160–200 | One of the fastest live-played genres; aggressive double kick |
| Death Metal | 175 | 140–220 | Extreme variation; blast beat sections push past 200 |
| Doom Metal | 60 | 40–80 | Deliberately slow and heavy; opposite end of metal spectrum |
| Post-Rock | 120 | 80–160 | Tempo changes within tracks common; builds from slow to fast |
| Blues Rock | 110 | 80–130 | Shuffle feel; 12-bar structures at relaxed swing tempo |
| Blues | 95 | 60–120 | Shuffle feel makes tempo feel more relaxed than the number suggests |
| Country | 120 | 80–160 | Ballads slow; uptempo country can rival rock speeds |
| Folk | 105 | 75–130 | Acoustic; storytelling focus; tempo follows lyric flow |
Pop Music BPM Chart
Pop music sits in one of the most consistent tempo zones of any genre — comfortably in the 118–128 BPM range regardless of subgenre. This is the sweet spot for radio-friendly energy that works equally well on dancefloors and in casual listening. The consistency makes pop playlists straightforward to curate by tempo and means pop tracks integrate easily into DJ sets built around house and dance music.
| Genre | Avg BPM | Typical Range | Notes |
|---|---|---|---|
| Pop | 122 | 100–130 | The most radio-friendly tempo range in all of music |
| Dance Pop | 128 | 118–135 | Bridges pop and electronic; higher energy than standard pop |
| Synth Pop | 125 | 110–135 | Electronic production with pop song structure |
| Electropop | 128 | 118–138 | Harder electronic textures on pop foundations |
| K-Pop | 130 | 100–145 | Wide range; ballads to high-energy choreography tracks |
| Teen Pop | 120 | 100–130 | Accessible tempos; strong melodic hooks |
| Indie Pop | 118 | 90–140 | More organic production; wider range than mainstream pop |
| Pop Ballad | 75 | 60–90 | Emotional, slow-tempo pop; piano-driven arrangements |
Latin and World Music BPM Chart
Latin genres cluster surprisingly closely around 95–130 BPM but their rhythmic feels are entirely different. A 120 BPM bossa nova and a 120 BPM reggaeton track exist in completely different sonic worlds. The clave pattern, percussion arrangement, and rhythmic subdivision matter far more than the raw BPM number in Latin music. Cumbia has the widest range of any Latin genre, reflecting its spread across multiple regional styles.
| Genre | Avg BPM | Typical Range | Notes |
|---|---|---|---|
| Reggaeton | 95 | 88–102 | Dembow rhythm pattern defines the feel regardless of tempo |
| Latin Pop | 120 | 95–135 | Broad range; fuses pop tempo with Latin rhythmic feel |
| Salsa | 185 | 160–210 | Clave at fast tempo; actual feel slower due to rhythmic structure |
| Cumbia | 115 | 80–145 | Widest range of any Latin genre; varies by regional style |
| Bachata | 130 | 120–140 | Romantic feel; syncopated bass pattern |
| Bossa Nova | 120 | 100–135 | Jazz-influenced; relaxed despite moderate tempo |
| Samba | 100 | 90–120 | Brazilian carnival rhythm; feels faster than the number suggests |
| Merengue | 145 | 130–160 | Fast two-beat pattern; Dominican dance music |
| Afrobeats | 106 | 95–115 | West African-influenced; laid-back groove at moderate tempo |
| Amapiano | 112 | 105–118 | South African genre; log drum and jazz-piano combination |
| Reggae | 80 | 60–90 | Offbeat rhythm feel; tempo feels faster than it measures |
| Dancehall | 95 | 80–110 | Jamaican genre; digital riddim production |
Jazz and Classical Music BPM Chart
Classical music has the widest tempo variation of any genre family. A single composer’s catalogue can span from a largo at 40 BPM to a prestissimo at 200+ BPM. Jazz shares a similarly wide spread because improvisation and feel are prioritised over strict tempo adherence. The Italian tempo markings used in classical music each correspond to a specific BPM range that remains in common use today.
| Genre / Marking | Avg BPM | Typical Range | Notes |
|---|---|---|---|
| Jazz (general) | 120 | 80–200 | Widest practical range; feel and swing matter more than number |
| Bebop | 200 | 180–300 | Technically demanding; extremely fast melodic improvisation |
| Cool Jazz | 120 | 90–150 | Relaxed feel; more melodic and accessible than bebop |
| Swing / Big Band | 135 | 100–200 | Shuffle-based; tempo varies widely by era and style |
| Jazz Fusion | 130 | 90–180 | Combines jazz with rock and funk tempos |
| Smooth Jazz | 100 | 80–120 | Radio-friendly; relaxed and accessible |
| Larghissimo | 24 | Under 25 | Extremely slow; rarely used outside experimental classical |
| Largo | 50 | 40–60 | Very slow and broad; solemn character |
| Adagio | 72 | 66–76 | Slow and expressive; lyrical phrasing |
| Andante | 92 | 76–108 | Walking pace; most accessible classical tempo |
| Moderato | 114 | 108–120 | Moderate speed; neither slow nor fast |
| Allegro | 138 | 120–156 | Fast and lively; most common fast-movement marking |
| Vivace | 166 | 156–176 | Brisk and lively; faster than Allegro |
| Presto | 184 | 168–200 | Very fast; technically demanding for performers |
| Prestissimo | 210 | 200+ | The fastest classical tempo marking |
DJ Mixing BPM Compatibility Guide
The most practical use of a genre BPM chart for DJs is identifying which genres can mix together without jarring tempo jumps. Genres with overlapping BPM ranges generally mix smoothly. Here is a compatibility reference for the most common genre pairings:
| If you are playing | BPM Zone | Mixes naturally with |
|---|---|---|
| Deep House | 118–126 | Melodic house, afro house, nu-disco |
| House Music | 120–130 | Tech house, progressive house, electro |
| Tech House | 124–132 | House, techno, progressive house |
| Techno | 130–150 | Industrial techno, trance, hardgroove |
| Trance | 128–145 | Progressive house, techno, psytrance |
| Drum & Bass | 160–180 | Jungle, liquid DnB, neurofunk |
| Hip-Hop | 80–100 | Lo-fi, R&B, boom bap, soul |
| Trap | 130–160 | Grime (at 140), EDM trap, drill |
| Reggaeton | 88–102 | Dancehall, Latin pop, R&B |
| Afrobeats | 95–115 | Dancehall, R&B, amapiano |
How to Check the BPM of Any Song in Your Genre
Once you know the target BPM range for your genre, the next step is verifying whether specific tracks fall within it. Our complete guide to how to find the BPM of any song covers every method in detail. Here is a quick summary:
Tap Tempo Tool — Fastest, Works on Any Track
Use the free tap tempo BPM counter at Find My BPM. Play the track and tap along to the beat — the tool calculates BPM in real time after around 8 taps. No signup, no download, works on mobile and desktop. Particularly useful for demos, DJ edits, bootlegs, and unreleased tracks that are not in any database.
BPM Database Search — Fastest for Known Tracks
For commercially released tracks, sites like GetSongBPM, Tunebat, and SongBPM.com list tempo and key for millions of songs by title search. Tunebat pulls data directly from Spotify’s audio analysis API, making it one of the most accurate sources for mainstream releases.
DJ Software Analysis
Serato, Rekordbox, Traktor, and Virtual DJ all analyse imported audio and display BPM automatically. Batch-analyse your entire library so BPM values appear in the track browser alongside key information — making it straightforward to sort and filter by tempo when planning a set.
DAW Tempo Detection
For producers importing samples, Ableton Live, FL Studio, and GarageBand all include automatic tempo detection. Drop the audio file into the DAW and the software estimates the BPM — particularly useful for samples from unknown sources where no database record exists.
How to Apply This BPM Chart in Practice
For Producers — Staying Within Genre Conventions
Setting your project BPM within the typical range for your target style is one of the most important early production decisions. A house track at 115 BPM will feel noticeably slow to experienced listeners and DJs. A track at 135 BPM sits outside the range most house DJs operate in, making it harder to place in a set. Choosing a tempo before writing a single note implicitly defines the drum pattern, energy level, and instrumentation that will fit. Setting a project to 174 BPM with a half-time snare places you in drum and bass territory. Setting 92 BPM with a tight snare on two and four puts you in boom bap. Tempo is genre direction.
For Producers — Sampling Across Genres
When sampling from a different genre, the BPM chart helps you understand how much time adjustment will be needed. A soul record at 96 BPM dropped into a hip-hop beat at 88 BPM requires only a minor slowdown. The same soul record pitched up to 174 BPM for a DnB project requires significant time-stretching that may introduce audio artefacts. Always check source and target BPM before committing to a sample.
For Runners — Using Genre BPM for Workout Playlists
Runners and gym-goers can use this genre BPM chart to choose whole playlist styles rather than checking individual songs. A house music playlist at 120–130 BPM suits easy running. A drum and bass or punk playlist at 160–180 BPM suits interval training and race pace. For a full breakdown of which BPM range matches which run type and effort level, see our complete guide to best BPM for running.
Frequently Asked Questions
What is the BPM for house music?
House music typically runs between 120 and 130 BPM, with an average around 126 BPM. Tech house sits slightly higher at 124–132 BPM, while deep house runs slightly lower at 118–126 BPM. The four-on-the-floor kick drum pattern is the defining rhythmic feature across all house subgenres regardless of the specific tempo.
What BPM is hip-hop?
Classic hip-hop and boom bap typically run at 80–100 BPM. Trap is usually produced at 130–160 BPM but the half-time snare pattern makes it feel like 65–80 BPM. Lo-fi hip-hop sits at 75–95 BPM. Drill ranges from 132–155 BPM. Grime is almost always at exactly 140 BPM.
What BPM is drum and bass?
Drum and bass runs at 160–180 BPM, with most tracks sitting around 170–174 BPM. Liquid DnB tends to sit at 170–174 BPM, while jump-up and neurofunk push toward 174–180 BPM. Despite the fast tempo, the half-time snare on beat three creates a groove that feels significantly slower than the technical BPM suggests.
What BPM is techno?
Techno typically runs at 130–150 BPM. Peak-hour Berghain-style techno usually sits at 138–145 BPM. Industrial and harder techno subgenres push toward 145–155 BPM. The repetitive, hypnotic structure means even small tempo differences have a significant impact on how driving the music feels.
What BPM is trap music?
Trap is typically produced at 130–160 BPM, with most tracks sitting around 140 BPM. The half-time snare pattern — where the snare hits on beat three instead of two and four — makes trap feel like it is running at 65–80 BPM. This difference between technical BPM and felt tempo is one of the defining characteristics of the genre.
What BPM is reggaeton?
Reggaeton typically runs at 88–102 BPM, with an average around 95 BPM. The genre is defined more by its dembow rhythm pattern — a specific syncopated percussion feel — than by a strict BPM range. The dembow pattern gives reggaeton its distinctive bounce regardless of the exact tempo.
What is the fastest music genre by BPM?
Gabber and hardcore techno are consistently the fastest genres, running at 160–220+ BPM. Speedcore can reach 300–1000 BPM. Among more mainstream genres, bebop jazz can reach 200–300 BPM in technical solos, while thrash metal and death metal regularly operate at 180–220 BPM in their fastest sections.
What is the slowest music genre by BPM?
Doom metal is consistently the slowest genre, with many tracks running at 40–70 BPM. Drone music often has no fixed tempo at all. Ambient music typically sits at 60–80 BPM, and classical largo movements can drop to 40 BPM or below.
How do I find the BPM of a specific song?
The fastest method is to use the free tap tempo BPM counter at Find My BPM. Play the song and tap along to the beat — the tool returns an accurate BPM reading in seconds. For commercially released tracks, BPM databases like GetSongBPM and Tunebat list tempo and key by title search. See our full guide to how to find the BPM of any song for every available method.
What BPM should I use for a workout playlist?
It depends on the workout type. Easy running suits 140–160 BPM — pop and house playlists work well here. Interval training and fast running suit 160–185 BPM — drum and bass and punk rock hit this range. Strength training works well with 125–140 BPM. For a complete chart by run type and effort level, see our guide to best BPM for running.
Check Any Song’s BPM Against This Chart — Free Online ToolNow that you have the genre BPM reference, put it to use. Open the free tap tempo BPM counter at Find My BPM, play any track, and tap along to the beat. The tool returns an accurate BPM reading in seconds — no account, no download, works on any device. Compare the result against the chart above to confirm which genre zone your track sits in.
BPM Chart for Every Music Genre —; Complete Reference Guide
This BPM chart for every music genre covers 40+ styles — a BPM range that defines its energy, feel, and danceability. This complete BPM chart for music genres covers 40+ styles across every major family: electronic, hip-hop, rock, pop, Latin, jazz, and classical. Whether you are a DJ planning set transitions, a producer checking your track fits genre conventions, or a music fan curious about why certain songs make you move differently, this reference gives you average BPM, typical range, and production notes for every genre in one place.
Why This BPM Chart for Every Music Genre Matters
Tempo is one of the most defining characteristics of any genre. It is not the only factor — rhythm pattern, instrumentation, and production style all contribute — but BPM is the first number DJs and producers look at when evaluating a track. A song at 170 BPM that sounds like drum and bass will feel completely different from a 170 BPM gabber track even though they share the same tempo. Conversely, a house track at 126 BPM and a tech house track at 128 BPM can blend seamlessly in a DJ set because their energy profiles are compatible.
Understanding genre BPM ranges is useful across every role in music:
- DJs use genre BPM knowledge to plan set flow, identify compatible tracks for mixing, and avoid jarring tempo jumps between styles. Once you have the BPM, the BPM to milliseconds calculator gives you the exact delay times for syncing effects to any tempo.
- Producers use it to ensure their track sits within the conventions of the genre they are targeting — which matters for playlist placement and DJ adoption.
- Music supervisors and playlist curators use BPM ranges to maintain consistent energy across a playlist or soundtrack.
- Runners and fitness enthusiasts can use genre BPM to choose whole playlist styles rather than checking individual songs. See the full breakdown in our guide to best BPM for running.
- Songwriters reference genre tempo as a creative starting point when writing in an unfamiliar style.
Electronic Music BPM Chart
Electronic music has the widest BPM spread of any genre family — from the slow haze of lo-fi at around 75 BPM to the relentless intensity of gabber at 200+ BPM. DJ-functional subgenres tend to have the tightest ranges because tempo consistency is critical when beat-matching live.
| Genre | Avg BPM | Typical Range | Notes |
|---|---|---|---|
| Deep House | 122 | 118–126 | Warm, soulful feel; slower groove than tech house |
| House Music | 126 | 120–130 | Standard four-on-the-floor dance tempo |
| Tech House | 128 | 124–132 | Tightest range of any house subgenre; peak-hour DJ standard |
| Melodic House | 123 | 118–127 | More atmospheric; slightly slower than tech house |
| Afro House | 124 | 118–128 | Percussive groove; overlaps with deep house |
| Progressive House | 128 | 124–132 | Build-driven structure; shares tempo with tech house |
| Trance | 138 | 128–145 | Driving energy; euphoric lead synths |
| Psytrance | 148 | 140–155 | Full-on at 148; dark psy pushes to 155 |
| Techno | 140 | 130–150 | Industrial feel; Berghain-style runs 138–145 |
| Industrial Techno | 145 | 138–155 | Harder, darker flavour of techno |
| Electro | 130 | 125–140 | Machine-funk roots; wide BPM spread |
| EDM / Big Room | 130 | 125–140 | Festival-oriented; dramatic builds and drops |
| Drum & Bass | 174 | 160–180 | Half-time snare creates slower feel despite fast tempo |
| Liquid DnB | 172 | 170–174 | Smoother, melodic flavour of DnB |
| Neurofunk | 176 | 174–180 | Complex, technical DnB subgenre |
| Jump-Up DnB | 178 | 174–182 | High-energy, crowd-focused DnB |
| Jungle | 160 | 155–170 | Proto-DnB; heavy Amen break focus |
| Breakbeat | 130 | 120–140 | Swung break patterns; off-kilter feel |
| Dubstep | 140 | 135–145 | Half-time at 70 BPM; bass-driven drops |
| Future Bass | 150 | 140–160 | Emotional chord work; pitched vocal chops |
| Trap (EDM) | 140 | 130–160 | Half-time at 70; hi-hat rolls define the sound |
| Ambient / Drone | 75 | 60–90 | Often no fixed tempo; slow atmospheric movement |
| Lo-Fi Hip-Hop | 85 | 75–95 | Relaxed, hazy feel; study and chill playlists |
| Gabber / Hardcore | 180 | 160–220 | Distorted kicks; extreme end of electronic music |
| Happy Hardcore | 175 | 160–190 | Euphoric melodies at very fast tempos |
Electronic Genre BPM — What to Know for DJs
The tightest genre BPM ranges in electronic music belong to tech house (124–132) and grime (136–142) — the most DJ-functional subgenres where even a 4 BPM difference is noticeable when beat-matching. The widest spread belongs to ambient and experimental electronic, where tempo is often irrelevant to the experience. When setting delay and reverb for electronic tracks, use the BPM to milliseconds chart to find the exact delay time for any tempo.
Hip-Hop and R&B BPM Chart
Hip-hop is a genre family where the felt tempo often differs significantly from the technical BPM. Trap at 140 BPM feels slow because the snare hits on beat three rather than two and four, creating a half-time groove. Always consider the perceived tempo alongside the technical figure when producing or mixing hip-hop subgenres.
| Genre | Avg BPM | Typical Range | Notes |
|---|---|---|---|
| Hip-Hop (classic) | 90 | 80–100 | The original boom-bap tempo range |
| Boom Bap | 92 | 85–98 | Tight snare on 2 and 4; sample-based production |
| Trap | 140 | 130–160 | Feels like 65–80 BPM due to half-time snare pattern |
| Drill (US) | 145 | 135–155 | Sliding 808s; menacing low-end character |
| UK Drill | 140 | 132–148 | Slightly slower than US drill; dark minor key arrangements |
| Lo-Fi Hip-Hop | 85 | 75–95 | Relaxed swing; vinyl crackle; jazz-influenced chords |
| Cloud Rap | 100 | 85–120 | Hazy, reverb-heavy production; wide tempo spread |
| Phonk | 130 | 120–140 | Memphis rap-influenced; drifting samples and distorted 808s |
| R&B / Neo-Soul | 90 | 70–110 | Groove-focused; wide range depending on energy |
| Soul | 100 | 80–120 | Classic Motown era sits 95–110 BPM |
| Grime | 140 | 136–142 | Almost always exactly 140 BPM; UK-originated genre |
Rock and Guitar Music BPM Chart
Rock has one of the widest tempo spreads of any genre family. A slow blues shuffle and a thrash metal track can both be described as guitar music yet sit 100 BPM apart. The chart covers rock and its major subgenres with typical tempo ranges for each:
| Genre | Avg BPM | Typical Range | Notes |
|---|---|---|---|
| Classic Rock | 120 | 100–140 | Wide range; energy varies significantly by era and artist |
| Indie Rock | 130 | 110–150 | Varied energy; slower for post-punk revival, faster for garage rock |
| Alternative Rock | 125 | 100–150 | Broad genre; tempo depends heavily on subgenre |
| Punk Rock | 160 | 140–180 | Fast, aggressive, short songs; tempo is part of the attitude |
| Pop Punk | 155 | 140–170 | Melodic hooks at high tempo |
| Hard Rock | 135 | 115–155 | Heavier production; wide tempo range across artists |
| Heavy Metal | 140 | 120–160 | Riff-driven; tempo varies hugely by subgenre |
| Thrash Metal | 180 | 160–200 | One of the fastest live-played genres; aggressive double kick |
| Death Metal | 175 | 140–220 | Extreme variation; blast beat sections push past 200 |
| Doom Metal | 60 | 40–80 | Deliberately slow and heavy; opposite end of metal spectrum |
| Post-Rock | 120 | 80–160 | Tempo changes within tracks common; builds from slow to fast |
| Blues Rock | 110 | 80–130 | Shuffle feel; 12-bar structures at relaxed swing tempo |
| Blues | 95 | 60–120 | Shuffle feel makes tempo feel more relaxed than the number suggests |
| Country | 120 | 80–160 | Ballads slow; uptempo country can rival rock speeds |
| Folk | 105 | 75–130 | Acoustic; storytelling focus; tempo follows lyric flow |
Pop Music BPM Chart
Pop music sits in one of the most consistent tempo zones of any genre — comfortably in the 118–128 BPM range regardless of subgenre. This is the sweet spot for radio-friendly energy that works equally well on dancefloors and in casual listening. The consistency makes pop playlists straightforward to curate by tempo and means pop tracks integrate easily into DJ sets built around house and dance music.
| Genre | Avg BPM | Typical Range | Notes |
|---|---|---|---|
| Pop | 122 | 100–130 | The most radio-friendly tempo range in all of music |
| Dance Pop | 128 | 118–135 | Bridges pop and electronic; higher energy than standard pop |
| Synth Pop | 125 | 110–135 | Electronic production with pop song structure |
| Electropop | 128 | 118–138 | Harder electronic textures on pop foundations |
| K-Pop | 130 | 100–145 | Wide range; ballads to high-energy choreography tracks |
| Teen Pop | 120 | 100–130 | Accessible tempos; strong melodic hooks |
| Indie Pop | 118 | 90–140 | More organic production; wider range than mainstream pop |
| Pop Ballad | 75 | 60–90 | Emotional, slow-tempo pop; piano-driven arrangements |
Latin and World Music BPM Chart
Latin genres cluster surprisingly closely around 95–130 BPM but their rhythmic feels are entirely different. A 120 BPM bossa nova and a 120 BPM reggaeton track exist in completely different sonic worlds. The clave pattern, percussion arrangement, and rhythmic subdivision matter far more than the raw BPM number in Latin music. Cumbia has the widest range of any Latin genre, reflecting its spread across multiple regional styles.
| Genre | Avg BPM | Typical Range | Notes |
|---|---|---|---|
| Reggaeton | 95 | 88–102 | Dembow rhythm pattern defines the feel regardless of tempo |
| Latin Pop | 120 | 95–135 | Broad range; fuses pop tempo with Latin rhythmic feel |
| Salsa | 185 | 160–210 | Clave at fast tempo; actual feel slower due to rhythmic structure |
| Cumbia | 115 | 80–145 | Widest range of any Latin genre; varies by regional style |
| Bachata | 130 | 120–140 | Romantic feel; syncopated bass pattern |
| Bossa Nova | 120 | 100–135 | Jazz-influenced; relaxed despite moderate tempo |
| Samba | 100 | 90–120 | Brazilian carnival rhythm; feels faster than the number suggests |
| Merengue | 145 | 130–160 | Fast two-beat pattern; Dominican dance music |
| Afrobeats | 106 | 95–115 | West African-influenced; laid-back groove at moderate tempo |
| Amapiano | 112 | 105–118 | South African genre; log drum and jazz-piano combination |
| Reggae | 80 | 60–90 | Offbeat rhythm feel; tempo feels faster than it measures |
| Dancehall | 95 | 80–110 | Jamaican genre; digital riddim production |
Jazz and Classical Music BPM Chart
Classical music has the widest tempo variation of any genre family. A single composer’s catalogue can span from a largo at 40 BPM to a prestissimo at 200+ BPM. Jazz shares a similarly wide spread because improvisation and feel are prioritised over strict tempo adherence. The Italian tempo markings used in classical music each correspond to a specific BPM range that remains in common use today.
| Genre / Marking | Avg BPM | Typical Range | Notes |
|---|---|---|---|
| Jazz (general) | 120 | 80–200 | Widest practical range; feel and swing matter more than number |
| Bebop | 200 | 180–300 | Technically demanding; extremely fast melodic improvisation |
| Cool Jazz | 120 | 90–150 | Relaxed feel; more melodic and accessible than bebop |
| Swing / Big Band | 135 | 100–200 | Shuffle-based; tempo varies widely by era and style |
| Jazz Fusion | 130 | 90–180 | Combines jazz with rock and funk tempos |
| Smooth Jazz | 100 | 80–120 | Radio-friendly; relaxed and accessible |
| Larghissimo | 24 | Under 25 | Extremely slow; rarely used outside experimental classical |
| Largo | 50 | 40–60 | Very slow and broad; solemn character |
| Adagio | 72 | 66–76 | Slow and expressive; lyrical phrasing |
| Andante | 92 | 76–108 | Walking pace; most accessible classical tempo |
| Moderato | 114 | 108–120 | Moderate speed; neither slow nor fast |
| Allegro | 138 | 120–156 | Fast and lively; most common fast-movement marking |
| Vivace | 166 | 156–176 | Brisk and lively; faster than Allegro |
| Presto | 184 | 168–200 | Very fast; technically demanding for performers |
| Prestissimo | 210 | 200+ | The fastest classical tempo marking |
DJ Mixing BPM Compatibility Guide
The most practical use of a genre BPM chart for DJs is identifying which genres can mix together without jarring tempo jumps. Genres with overlapping BPM ranges generally mix smoothly. Here is a compatibility reference for the most common genre pairings:
| If you are playing | BPM Zone | Mixes naturally with |
|---|---|---|
| Deep House | 118–126 | Melodic house, afro house, nu-disco |
| House Music | 120–130 | Tech house, progressive house, electro |
| Tech House | 124–132 | House, techno, progressive house |
| Techno | 130–150 | Industrial techno, trance, hardgroove |
| Trance | 128–145 | Progressive house, techno, psytrance |
| Drum & Bass | 160–180 | Jungle, liquid DnB, neurofunk |
| Hip-Hop | 80–100 | Lo-fi, R&B, boom bap, soul |
| Trap | 130–160 | Grime (at 140), EDM trap, drill |
| Reggaeton | 88–102 | Dancehall, Latin pop, R&B |
| Afrobeats | 95–115 | Dancehall, R&B, amapiano |
How to Check the BPM of Any Song in Your Genre
Once you know the target BPM range for your genre, the next step is verifying whether specific tracks fall within it. Our complete guide to how to find the BPM of any song covers every method in detail. Here is a quick summary:
Tap Tempo Tool — Fastest, Works on Any Track
Use the free tap tempo BPM counter at Find My BPM. Play the track and tap along to the beat — the tool calculates BPM in real time after around 8 taps. No signup, no download, works on mobile and desktop. Particularly useful for demos, DJ edits, bootlegs, and unreleased tracks that are not in any database.
BPM Database Search — Fastest for Known Tracks
For commercially released tracks, sites like GetSongBPM, Tunebat, and SongBPM.com list tempo and key for millions of songs by title search. Tunebat pulls data directly from Spotify’s audio analysis API, making it one of the most accurate sources for mainstream releases.
DJ Software Analysis
Serato, Rekordbox, Traktor, and Virtual DJ all analyse imported audio and display BPM automatically. Batch-analyse your entire library so BPM values appear in the track browser alongside key information — making it straightforward to sort and filter by tempo when planning a set.
DAW Tempo Detection
For producers importing samples, Ableton Live, FL Studio, and GarageBand all include automatic tempo detection. Drop the audio file into the DAW and the software estimates the BPM — particularly useful for samples from unknown sources where no database record exists.
How to Apply This BPM Chart in Practice
For Producers — Staying Within Genre Conventions
Setting your project BPM within the typical range for your target style is one of the most important early production decisions. A house track at 115 BPM will feel noticeably slow to experienced listeners and DJs. A track at 135 BPM sits outside the range most house DJs operate in, making it harder to place in a set. Choosing a tempo before writing a single note implicitly defines the drum pattern, energy level, and instrumentation that will fit. Setting a project to 174 BPM with a half-time snare places you in drum and bass territory. Setting 92 BPM with a tight snare on two and four puts you in boom bap. Tempo is genre direction.
For Producers — Sampling Across Genres
When sampling from a different genre, the BPM chart helps you understand how much time adjustment will be needed. A soul record at 96 BPM dropped into a hip-hop beat at 88 BPM requires only a minor slowdown. The same soul record pitched up to 174 BPM for a DnB project requires significant time-stretching that may introduce audio artefacts. Always check source and target BPM before committing to a sample.
For Runners — Using Genre BPM for Workout Playlists
Runners and gym-goers can use this genre BPM chart to choose whole playlist styles rather than checking individual songs. A house music playlist at 120–130 BPM suits easy running. A drum and bass or punk playlist at 160–180 BPM suits interval training and race pace. For a full breakdown of which BPM range matches which run type and effort level, see our complete guide to best BPM for running.
Frequently Asked Questions
What is the BPM for house music?
House music typically runs between 120 and 130 BPM, with an average around 126 BPM. Tech house sits slightly higher at 124–132 BPM, while deep house runs slightly lower at 118–126 BPM. The four-on-the-floor kick drum pattern is the defining rhythmic feature across all house subgenres regardless of the specific tempo.
What BPM is hip-hop?
Classic hip-hop and boom bap typically run at 80–100 BPM. Trap is usually produced at 130–160 BPM but the half-time snare pattern makes it feel like 65–80 BPM. Lo-fi hip-hop sits at 75–95 BPM. Drill ranges from 132–155 BPM. Grime is almost always at exactly 140 BPM.
What BPM is drum and bass?
Drum and bass runs at 160–180 BPM, with most tracks sitting around 170–174 BPM. Liquid DnB tends to sit at 170–174 BPM, while jump-up and neurofunk push toward 174–180 BPM. Despite the fast tempo, the half-time snare on beat three creates a groove that feels significantly slower than the technical BPM suggests.
What BPM is techno?
Techno typically runs at 130–150 BPM. Peak-hour Berghain-style techno usually sits at 138–145 BPM. Industrial and harder techno subgenres push toward 145–155 BPM. The repetitive, hypnotic structure means even small tempo differences have a significant impact on how driving the music feels.
What BPM is trap music?
Trap is typically produced at 130–160 BPM, with most tracks sitting around 140 BPM. The half-time snare pattern — where the snare hits on beat three instead of two and four — makes trap feel like it is running at 65–80 BPM. This difference between technical BPM and felt tempo is one of the defining characteristics of the genre.
What BPM is reggaeton?
Reggaeton typically runs at 88–102 BPM, with an average around 95 BPM. The genre is defined more by its dembow rhythm pattern — a specific syncopated percussion feel — than by a strict BPM range. The dembow pattern gives reggaeton its distinctive bounce regardless of the exact tempo.
What is the fastest music genre by BPM?
Gabber and hardcore techno are consistently the fastest genres, running at 160–220+ BPM. Speedcore can reach 300–1000 BPM. Among more mainstream genres, bebop jazz can reach 200–300 BPM in technical solos, while thrash metal and death metal regularly operate at 180–220 BPM in their fastest sections.
What is the slowest music genre by BPM?
Doom metal is consistently the slowest genre, with many tracks running at 40–70 BPM. Drone music often has no fixed tempo at all. Ambient music typically sits at 60–80 BPM, and classical largo movements can drop to 40 BPM or below.
How do I find the BPM of a specific song?
The fastest method is to use the free tap tempo BPM counter at Find My BPM. Play the song and tap along to the beat — the tool returns an accurate BPM reading in seconds. For commercially released tracks, BPM databases like GetSongBPM and Tunebat list tempo and key by title search. See our full guide to how to find the BPM of any song for every available method.
What BPM should I use for a workout playlist?
It depends on the workout type. Easy running suits 140–160 BPM — pop and house playlists work well here. Interval training and fast running suit 160–185 BPM — drum and bass and punk rock hit this range. Strength training works well with 125–140 BPM. For a complete chart by run type and effort level, see our guide to best BPM for running.
Check Any Song’s BPM Against This Chart — Free Online ToolNow that you have the genre BPM reference, put it to use. Open the free tap tempo BPM counter at Find My BPM, play any track, and tap along to the beat. The tool returns an accurate BPM reading in seconds — no account, no download, works on any device. Compare the result against the chart above to confirm which genre zone your track sits in.